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Film noir’s aesthetics are deeply influenced by German expressionism and tends to revolve around a hero or character that is flawed and morally questionableness. Through the lense of a camera scenes were reconstruction, with the use of mount board and card, in an attempt to create a silhouette and simulacrum that echoed the original. This later developed into a series that explore the techniques of cinematography and German expressionism that reflected passing moments from day to day experiences.

z.darley.collis@gmail.com

Zach Darley-Collis
Untitled Series.
2016

Zach Darley-Collis
Zach Darley-Collis
Zach Darley-Collis
Zach Darley-Collis

Monash University
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